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Travel Diary: Hoi An

This past week, I headed up to Quang Nam to meet up with the homies, Etienne and Quinn for a motorbike trip up into the mountains and up the Ho Chi Minh Road for a few days. I expected epic photo ops and to come back with a memory card filled with bangers. Mother nature had other ideas and it was overcast and drizzled off and on. So, instead of focusing on photography, the same weather that made for meh photos was absolutely perfect for riding. That said, when we got back to Hoi An, I was itching to find some light to make some photos. While the light wasn’t the best that afternoon, I headed out on a sunset tour with Etienne. If you’re not familiar with Pics of Asia, it’s time to get acquainted. I’m a little biased in that Etienne is a long time friend, but his tours are incredible. Everywhere from Hoi An to Bangladesh, Pics of Asia runs photography tours based on ethical travel photography and breaking bread with locals. Shameless plug, I’m co-leading a workshop in Sri Lanka this January and we may have one spot left. hint hint.. It’s going to be incredible.

This past week, I headed up to Quang Nam to meet up with some photographer homies for a motorbike trip up into the mountains and up the Ho Chi Minh Road for a few days. I expected epic photo ops and to come back with a memory card filled with bangers. Mother nature had other ideas and it was overcast and drizzled off and on the entire time so my camera stayed in my bag more often than not. So, instead of focusing on photography, the same weather that made for pretty forgettable photos was absolutely perfect for riding. That said, when we got back to Hoi An, I was itching to find some light to make some photos. While the light wasn’t the best that afternoon, I headed out on a sunset tour with Etienne. If you’re not familiar with Pics of Asia, it’s time to get acquainted. I’m a little biased in that Etienne is a long time friend, but his tours are incredible. Everywhere from Hoi An to Bangladesh, Pics of Asia runs photography tours based on ethical travel photography and breaking bread with locals. Shameless plug, I’m co-leading a workshop in Sri Lanka this January and we may have one spot left. hint hint.. It’s going to be incredible.

So, off we went into the fields and into the villages on the outskirts of Hoi An. First stop was a little spot making My Quang noodles. My Quang is one of my favourite Vietnamese noodle dishes and is a speciality of Quang Nam. Thus the name. We then headed out into the neighbouring fields as the workers finished up their day and were heading home as the sun quickly dipped towards the horizon. It wasn’t exactly one of those show stopping golden hours, but there was nice drama in the skies and sometimes, thats enough. The drama in those skies turned out to be an absolute downpour around 7pm, so when I met a friend of mine for dinner in the Old Town, it was largely empty after the rain stopped. Right after a rain is one of my favourite times to shoot, so I happily snapped away. Reflections, mood, atmosphere…. love it..

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Saigon Punk Chronicles: The Metal Edition

Not really a hardcore or punk show per se, but this show still had a lot of overlap in the crowd. The bill consisted of Orca from the Philippines, Diarsia off their brand new release, Method, Obsess, and the Korean shred machine Oathean. I grabbed the Fuji x100v and an old speedlight and rolled the dice. These shows give me a chance to experiment with different set ups - multiple cameras, light set ups, techniques…No pressure if I shit the bed and they turn out awful, but at least I learned something. That said, I don’t think I’ve run into any insurmountable challenges, and different tools yield different results. I tried to shoot a bit more abstract images to bridge over from the usual dragged shutter and speedlight combo and I think they turned out interesting. Tried a bit of multiple exposure shenanigans. Essentially played around and threw everything at the wall to see what stuck. Maybe a bit artsy even… what is going on?!

Not really a hardcore or punk show per se, but this show still had a lot of overlap in the crowd. The bill consisted of Orca from the Philippines, Diarsia off their brand new release, Method, Obsess, and the Korean shred machine Oathean. I grabbed the Fuji x100v and an old speedlight and rolled the dice. These shows give me a chance to experiment with different set ups - multiple cameras, light set ups, techniques…No pressure if I shit the bed and they turn out awful, but at least I learned something, right?. That said, I don’t think I’ve run into any insurmountable challenges, and different tools yield different results. I wanted to shoot a bit more abstract images to bridge over from the usual dragged shutter and speedlight combo and I think they turned out interesting. Tried a bit of multiple exposure shenanigans. Essentially played around and threw everything at the wall to see what stuck. Maybe a bit artsy even..

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Recent Work : Cameron Foggo Design

Back at it with the amazing team at Cameron Foggo Design, we wanted to create some dynamic new images for the line coming out this summer. We built new sets, came up with new ideas, and overall had a blast shooting the new line. It’s always so good to have repeat clients so the work can evolve and improve over the course of multiple shoots. Many thanks for the trust and can’t wait until the next one. The last image is a bit of an extra as we blended ambient light with our strobes to create this evening vibe.

Furniture photography by Vietnam Product Photographer Lee Starnes

Back at it with the amazing team at Cameron Foggo Design, we wanted to create some dynamic new images for the line coming out this summer. We built new sets, came up with new ideas, and overall had a blast shooting the new line. It’s always so good to have repeat clients so the work can evolve and improve over the course of multiple shoots. Many thanks for the trust and can’t wait until the next one. The last image is a bit of an extra as we blended ambient light with our strobes to create this evening vibe.

For all the photographers, these are a mix of images from my Sony kit as well as the little Fuji x100v. I’ve been taking the Fuji to commercial shoots for behind the scenes shots as well as documenting my lighting for future reference, but on this particular shoot, I grabbed some frames to see if they held up. I think they did, and it just goes to show you, the megapixelZ aren’t the end all be all for cameras. See if you can tell which ones are which. Put it in the comments and if someone gets it, I’ll mail you a free 8x10 print of anything on my website.

If you’re keen on seeing the first shoot, have a look here!

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Travel Diary : Alor Archipelago, Indonesia

It’s hard to really convey into words about how special some places in the world are. That said, if there was a list, Alor is currently sitting at the top. These images have been waiting to get published for around a month. During that time, I’ve been staring at the screen trying to figure out how to say how incredible this place is and I don’t think it’s possible to really convey with words, my photos, or even the mix of the two. These images are from the small time I spent above water in between diving and seeing all the incredible creatures of the ocean. Time seems to stand still. I know I’ve spoken about how time seems to slow down in some places, but somehow in Alor it feels like the world just stops and you’re in that place you’re supposed to be. At least it is for me. I can’t get enough of it.

Sunset in Alor Indonesia by travel Photographer Lee Starnes, shot with a Fuji x100v

It’s hard to really convey into words about how special some places in the world are. That said, if there was a list, Alor is currently sitting at the top. These images have been waiting to get published for around a month. During that time, I’ve been staring at the screen trying to figure out how to say how incredible this place is and I don’t think it’s possible to really convey with words, my photos, or even the mix of the two. These images are from the small time I spent above water in between diving and seeing all the incredible creatures of the ocean. Time seems to stand still. I know I’ve spoken about how time seems to slow down in some places, but somehow in Alor it feels like the world just stops and you’re in that place you’re supposed to be. At least it is for me. I can’t get enough of it.

Every morning before heading out on the dive boat, I tried to catch sunrise and meander around the small town near the dive shop. Only after one day, I was recognised by half the people I came in contact with. I guess the western dude wandering around aimlessly is a bit noticeable. That being said, the people of Alor are so wonderfully friendly. I was greeted by handshakes, hugs, high fives and smiles. This was my second time to Alor and you can check out the photos from that trip here. I was pretty much convinced it was perfect on my first visit….until I came back and realised it just keeps getting better and has me counting down the days until I go back. I think I’ll make this a yearly trip, and I’d love to spend some real time here and setting in to a routine to really soak it all in. Hopefully some of these images will do this place justice.

As far as diving goes, I can’t say enough about the folks at Air Dive Alor. It feels like going to see old friends rather than just going diving. I feel lucky I’m able to call them friends now, and I can’t wait to get back for more epic hangs.

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Saigon Punk Chronicles : Aftershock

This past Sunday I headed out to a show and to see some old friends I hadn’t caught up with in a while. The bill consisted of HSA, Song Am, Katto Katto, District 105, Cut Lon, and Luan Quan Collective. A mixed bag of genres and I wasn’t familiar with all the bands, but I knew there’d be some thrashy goodness with Cut Lon and of course the homies in D105. I didn’t get images of everyone, but I decided to shoot this a bit differently than what I’ve been shooting this project and brought my studio lights in much like I did back in the day in the States. It’s going to take some tweaking, but here we are and it’s nice to get a different look. I’m not going to divide the images up into bands this time around but rather an overall vibe of the show.

This past Sunday I headed out to a show and to see some old friends I hadn’t caught up with in a while. The bill consisted of HSA, Song Am, Katto Katto, District 105, Cut Lon, and Luan Quan Collective. A mixed bag of genres and I wasn’t familiar with all the bands, but I knew there’d be some thrashy goodness with Cut Lon and of course the homies in D105. I didn’t get images of everyone, but I decided to shoot this a bit differently than what I’ve been shooting this project and brought my studio lights in much like I did back in the day in the States. It’s going to take some tweaking, but here we are and it’s nice to get a different look. I’m not going to divide the images up into bands this time around but rather an overall vibe of the show.

On a side note, I tried to mosh last night and father time quickly put me in my place and now I’m limping around like geriatric. Lesson learned. Stay in my lane. Press the shutter. Stay out of the way of the kids. This is a game for the youngins’. Until next time, here are the images from last night.

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The Week in Photos: Volume 5

We’ve wrapped up a few commercial projects and had a few days before preproduction started on a couple of others, so I wanted to go out and shoot some images for myself a few days this week. Technically some of these are from the week before, so this is the week(ish) in photos. I’ll get better about the scheduling of this whole thing, but it’s been hectic lately so this will have to do until I get it together on the schedule.

Looking at what I’ve shot recently, I’ve noticed how I’ve gradually been shooting more and more at night. I think this probably has to do with a smaller camera that I can take with me on social outings and snap some images along the way, but also I think I’ve just become more and more intrigued with how pools of light and their contrasting shadow makes for such dramatic moody images. If you’ve been to Saigon, you’ll know how frenetic it is and how there’s never any shortage of energy when you’re walking around the city. Similarly, its easy to have very busy compositions and I’m a minimalist at heart. Using shadows to hide distractions and isolate my subjects is always going to be my first approach. So here’s the last week and a half in photos.

Street scenes of Ho Chi Minh City for the week in photos by Vietnam photographer Lee Starnes

We’ve wrapped up a few commercial projects and had a few days before preproduction started on a couple of others, so I wanted to go out and shoot some images for myself a few days this week. Technically some of these are from the week before, so this is the week(ish) in photos. I’ll get better about the scheduling of this whole thing, but it’s been hectic lately so this will have to do until I get it together on the schedule.

Looking at what I’ve shot recently, I’ve noticed how I’ve gradually been shooting more and more at night. I think this probably has to do with a smaller camera that I can take with me on social outings and snap some images along the way, but also I think I’ve just become more and more intrigued with how pools of light and their contrasting shadow makes for such dramatic moody images. If you’ve been to Saigon, you’ll know how frenetic it is and how there’s never any shortage of energy when you’re walking around the city. Similarly, its easy to have very busy compositions and I’m a minimalist at heart. Using shadows to hide distractions and isolate my subjects is always going to be my first approach. So here’s the last week and a half in photos.

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Saigon Punk Chronicles : Rock Fest

Although this wasn’t your classic DIY punk or hardcore show, it was certainly interesting to see hardcore bands play on a big stage with over the top production and I had to go out to support the homies in District 105 and check out a few other bands. A mixed bag of genres, Rockfest showcased both local and some international bands and its really good to see these types of events coming to Saigon more. Tons of bands played, and I took a boatload of images, but I’m going to limit it here to the bands that fall into the punk scene or at least close enough to the DIY scene to fit within this personal project. So, that being said, the images below are from Saigon’s District 105, and 18.18, The Flob and Thailand’s Annalynn and Defying Decay. I tried to shoot this a bit differently as the over the top production provided with about a bajillion different coloured lights which I find a bit visually noisy and takes away from the raw emotion of punk. Maybe I’m just an old head and love the way old black and white photos of live music look like…whatever. Anyways, to the images!

Annalynn's vocalist jumps into the crowd at RockFest Vietnam photographed by Vietnam Photographer Lee Starnes. A part of Saigon Punk Chronicles

Although this wasn’t your classic DIY punk or hardcore show, it was certainly interesting to see hardcore bands play on a big stage with over the top production and I had to go out to support the homies in District 105 and check out a few other bands. A mixed bag of genres, Rockfest showcased both local and some international bands and its really good to see these types of events coming to Saigon more. Tons of bands played, and I took a boatload of images, but I’m going to limit it here to the bands that fall into the punk scene or at least close enough to the DIY scene to fit within this personal project. So, that being said, the images below are from Saigon’s District 105, and 18.18, The Flob and Thailand’s Annalynn and Defying Decay. I tried to shoot this a bit differently as the over the top production provided with about a bajillion different coloured lights which I find a bit visually noisy and takes away from the raw emotion of punk. Maybe I’m just an old head and love the way old black and white photos of live music look like…whatever. Anyways, to the images!

DISTRICT 105

ANNALYNN

THE FLOB

DEFYING DECAY

18.18

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Travel Diary: Osaka Part 3

As I went through the rest of the images from Osaka, there were more than what I’m going to put in this blog post, but after sitting on these images for around a month, clearer eyes and that bit of removal from the romance of being in Japan allowed me to be a bit more selective in my final picks. With work being so busy, I’ve had this push to get work out the door and leaned on the idea that finished is better than perfect. Doubly so with personal work and, honestly, it really doesn’t matter that much anyways seeing as there are no client expectations or really anything else that matters other than what I feel should be representative of my work. That being said, giving it some time and “letting it cook” allowed me to have a bit more clarity and honesty when looking at the images. The emotional ties to the image are lessened and the moment is now further in my memory. Thankfully, I take pictures for a living so I at least have photographic evidence of the things I’ve done that I most surely will forget. Anyways, here is the last chapter in the Osaka series and those images of Mario World I mentioned in Part 1, well here they are. Scroll down to the end for those. And if you didn’t see Part 2, you can click here and have a gander at those, too.

Osaka's Shinsekai Kokusai Gekijo Theatre shot by Vietnam travel photographer Lee Starnes

As I went through the rest of the images from Osaka, there were more than what I’m going to put in this blog post, but after sitting on these images for around a month, clearer eyes and that bit of removal from the romance of being in Japan allowed me to be a bit more selective in my final picks. With work being so busy, I’ve had this push to get work out the door and leaned on the idea that finished is better than perfect. Doubly so with personal work and, honestly, it really doesn’t matter that much anyways seeing as there are no client expectations or really anything else that matters other than what I feel should be representative of my work. That being said, giving it some time and “letting it cook” allowed me to have a bit more clarity and honesty when looking at the images. The emotional ties to the images are lessened and the moment is now further in my memory. Thankfully, I take pictures for a living so I at least have photographic evidence of the things I’ve done that I most surely will forget. Such is life with getting older. Brain fog is a thing I suppose. Anyways, here is the last chapter in the Osaka series and those images of Super Mario World and Universal Studios I mentioned in Part 1, well here they are. Scroll down to the end for those. And if you didn’t see Part 2, you can click here and have a gander at those, too.

With flights being so affordable to Japan lately, I may take another sneaky trip later this year for a trip solely focused on taking photos. Stay tuned for that.

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